For instance, in Like Happiness, a book of poems by Michael Hettich that I am still reading, he is reading The Winter Sun, by Fanny Howe, in the poem "The Burning Door," which I should have known from the epigraph:
If a bird has a problem with its whistle,
it has to whistle to fix it.
--Fanny Howe
...But which I did not actually realize until section 9 of this long, amazing poem. So now, of course, The Winter Sun, a memoir, subtitled Notes on a Vocation, is on my wishlist.
Pause to digress, and fold brain: I have a poem called "Silver Sun," based on a painting by Arthur Dove, and published in an ekphrastic magazine called Beauty/Truth, which, with its editor, suddenly dropped off the edge of the earth. I worry about that guy.
I have a poem called "Virga," and so does Diane Lockward, in her book, What Feeds Us. They are completely different--hers is about the virga of snow, mine about the virga of rain--and this kind of coincidence, of title and topic in poems, happens frequently, no cause for alarm, only for astonishment, joy, and brain-folding.
I missed church on Sunday, staying home with my family, my son home from college for the Labor Day weekend, then going off to work, seeing the man on the bicycle who wants to read Franzen, etc., but I read the reflection later online, so I know Susan was reading A Life at Work: The Joy of Discovering What You Were Born To Do, by Thomas Moore, a book that has been on my wishlist so long I finally took it off, figuring I'd get it at the library.
Notice how the subtitle folds the brain back to Fanny Howe...
And on the morning drive to the high school (deprived of school bus, thanks to redistricting, though one reason we moved here to central Illinois was safe, free public education and free school transportation with non-drug-using-non-drug-dealer-non-pimp school bus drivers) I pondered, in addition to opium-financed terrorism (NPR story on NATO), the fact that Helen Degen Cohen's chapbook, On a Good Day One Discovers Another Poet, is entirely about what she is reading--poetry, mainly, but also film--an intertextual, brain-folding, saddle-stapled work.
I don't think I ever stopped digressing, so now that I've got my
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